Constructing a Bibliography of Writings about This Work of Art and the Artist
Adamowicz, E. (2012). Joan Miró: the assassination of painting?. Journal Of Iberian & Latin American Studies, 18(1), 1-15. doi:10.1080/14701847.2012.716642
Caws, M. (2008). Chapter 6: Miró, Dalí and Surrealism, 1928. In , Salvador Dalí (9781861893833) (pp. 56-62). Reaktion Books Ltd.
Hubert, R. (1964). Miro and Breton. Yale French Studies Surrealism, 31. Retrieved October 5, 2014, from http://www.jstor.org/stable/2929721
Kiff, K. (1989). JOAN MIRÓ: PROFOUND EXPLORATIONS. Modern Painters, 2(1), 12-19.
Maurice Culberg, Collector. (1954). The Art Institute of Chicago Quarterly, 48(3), 45-45. Retrieved October 5, 2014, from http://www.jstor.org/stable/4117446
Meisler, S. (1993). For Joan Miro, poetry and painting were the same. Smithsonian, 24(8), 62.
Mendelson, J. (2004). Joan Miró's Drawing-Collage, August 8, 1933: The "Intellectual Obscenities" of Postcards. Art Journal, 63(1), 24-37.
MOREL, G. (2014). JOAN MIRÓ, INFINIMENT. (French). Connaissance Des Arts, (728), 163-166.
Pickstone, C. (2013). Joan Miró: the Constellations series. Critical Quarterly, 55(3), 59-71. doi:10.1111/criq.12058
Rowell, M., & Temkin, A. (1987). Miro at the Museum: Works in the Philadelphia Museum of Art. Philadelphia Museum of Art Bulletin, 83(356/357), 1 3-44. Retrieved October 5, 2014, from http://www.jstor.org/stable/3795425
Taunton, M. (1983). Questioning Strategies to Encourage Young Children to Talk about Art. Art Education, 36(4), 40-43. Retrieved October 5, 2014, from http://www.jstor.org/stable/3192685